to pick rapidly ripening raspberries
(aka phone)
nor the hand-me-over-unfinished-skirt
you're wearing underneath
has a pocket?

A nice patch pocket on the skirt
would be the work of a moment.
And the shirt
is a continual work in progress--
the fact that it already has
a teensy tapestry pocket on one side
no reason to neglect the other.
It's just that I wear the shirt so often--
like every day I'm not wearing
the linsey-woolsey one--
that I just haven't gotten around to it.
that I'm wearing the linsey-woolsey shirt.
But it is only short-sleeved shirt I have,
so not a tricky deduction.
Besides, it was just a few days ago.
Also, though I occasionally
bend the absolute truth in my comics
(for narrative clarity only),
I generally aim for sartorial veracity--
if only because I love my clothes
and am oddly attached
to the idea that future me
might like to enjoy seeing them too
(while remembering what. weenie I am about shopping).
It also helps with the laundry.
("I seem to have worn Sarah-Dippity Skirts
in almost every drawing for this entire diary--
definitely time for a bath!")
Paper pockets
were the topic of the moment.
And they might actually be
a compelling experiment.
Though the coffee filter yarn
is itself pretty fragile,
especially as singles
(I can't imagine using it for warp for instance),
it seems to stand up remarkably well
tightly packed in a weft faced plain weave--
at least to the wear and tear
of life as a diary cover--
growing soft, pliable,
and almost leather-like
(if a little grubby),
with daily use.
(woven from hand spun washi)
has been used for clothing for centuries,
so the idea is not totally outrageous --
except of course, that washi
(and the resulting kami-ito)
is often specifically made
for strength and longevity
while coffee filters are (usually)
single use items.
Though expected to withstand
boiling water and soggy grounds,
they are definitely not
as intrinsically strong as washi.
But who knows?
In case you haven't noticed,
my life is a constant work in progress --
my chief delights arising from
experiments with the materials at hand,
no matter the source.
And as we all learn daily,
you never know
what is going to happen.
about watching the evolution
of this diary I just made.
Not only do I get to play
with the wedge weave tapestry
I wove last May.
(2-ply vs the singles of the last one)--
to see how the dog bane binding cordage
(made in the fall of 2018),
behaves with constant handling.
It's pretty rough right now,
but super strong
even if I did have to punch
extra large holes in my signatures.
No idea.
Undoubtedly something
satisfying and insightful
that would rock all our worlds--
though nothing could equal
the roller coaster ride
of real life just now--
my mind growing, I hope,
as strong and flexible
and welcoming of change and possibility
as dog bane cordage.
So a bit of paper-induced absurdity
never hurts alongside, say, things like
the recent groundbreaking
Supreme Court Decision
that almost half of Oklahoma
falls within a Native American reservation!
So I'll just end with this photo--
because it makes me happy,
and is a good reminder
to enjoy the hidden richness
in even the simplest
of moments.
and though this chair didn't start
Thrums Books , Long Thread Media,
and the once-upon-a-lifechanging Interweave Press,
Linda did, and all three make (and have made)
the world a better place for textiles
and their makers.
pps. Squash plant--a volunteer,
grown by itself from a bit of compost,
whose contributions to my world
are blossoming even as I type.
ppps. Because it has to be said:
Fuck Trump