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Of Light And Air

11/30/2016

 
Picture
Hand Woven Linen (details); 144" x 9" and 108" x 7" 2016
Sometimes I write and talk as though the things I am weaving now
are  inherently different from the tapestries I have woven before.
Picture
Blue Day; Hand Woven Tapestry; 48" x 36" Wool; Natural Dye 2007
But the more weft I tuck into warp
the more I see the work as a continuum--
an endless series of questions
about time, texture,
and the feeling of the breeze through a window.
Picture
Hand Woven Wool; Hand Spun Suffolk X; 72" x 9" 2016
There are just so many ways to play with light,
Picture
The Last Few Pages; Hand Woven Tapestry; 18" x 24" Hand Spun Wool Warp and Weft; Natural Dye; 2003
so many ways that light plays with us.
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Light/shadow/linen/ backstrap loom; 2016
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Mary Magdalene and Maud; Hand Woven Tapestry; 22" x 32"; hand spun wool warp and weft; natural dye; 2003
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Hand Woven Wool (Suffolk X); Hand Spun; natural dye; 72" x 9" 2016

And how might a particular piece of cloth really feel?
​How might it flow?

Picture
Fresh Peppermint Tea; Hand Woven Tapestry; 36" x 24"' ;Hand Spun Wool arp and weft; 36" x 24" 2002
What does it mean to look through? ​
Picture
Work in Progress; Backstrap Loom; Hand Spun Wool; 2016
What does it mean
​to be on this side, or that
​of a piece of cloth, a window, an illusion?
Picture
"It"s Raining" said the Lady with the Alligator Purse (detail); hand woven tapestry book ; laminated fabric; 8" x 10" x 2"; wool, natural dye; cotton, hemp, linen twine; 2014
I'm not sure I will ever know.
PictureHand Woven Wool (Polypay); Hand spun singles (approx 4500 yards per pound set at 12 epi); 72" x 9" 2016
​

But that, as ever, is the point.

And anyway, it's all plain weave to me.
Picture

yellow on my mind

11/22/2016

 
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Work in Progress; Hand spun (Cormo X) and Commercially spun (??) Wool; Natural and Synthetic dyes.
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Detail: Swatch Blanket. 1985 - 2010. Hand Spun Wool; Natural Dyes; Detail is mostly CVM
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Spindle Spun Cormo X; Weld
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Detail: Swatch Blanket. 1985 - 2010. Hand Spun Wool; Natural Dyes; Detail is CVM
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Detail: Swatch Blanket. 1985 - 2010. Hand Spun Wool; Natural Dyes; Alas, I don't remember the breed.
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Spindle Spun Rambouillet X; Weld (alum/tarter)
Picture
Detail: Swatch Blanket. 1985 - 2010. Hand Spun Wool; Natural Dyes; Detail is mostly CVM
Yellow is hard to photograph,
but irresistible nonetheless. 
Picture
Hand Spun (cormo X) and Commercially spun (??) Wool; natural and synthetic dyes.

fine strands

11/15/2016

 
Picture
23 g Hepty Spindle by Henry C. Edwards
A couple of days ago this wonderful blog post popped into my computer.
Anny's words about process were just what I needed to hear.
Picture
linen -- two odd bits plied-- 12 epi
I was particularly struck by the concept of Awen,
 (above is a definition from  Modern Druidry and here is a Wikipedia link ),
and the idea of opening:
opening to nature, to my materials, to other people's ideas,
to things I cannot control.
Picture
Suffolk X wool singles approx 4000 yards/lb; natural dye; 12 epi
My materials are helping.
​
In the midst of my own wild time of experimentation,
(not to mention the unsettled state of so many things),

my reciprocal relationship with the work itself becomes ever more important:
hands responding to how things look, feel and behave,
mind noticing  (and hopefully not judging) my response.
Picture
Suffolk X wool batt peeling from a Patrick Green Drum Carder
This practice, when it works,
​has opened paths into unexpected territory,
each step--even the prickly ones--

providing information and provoking thought.
Picture
Along the way, I'm regularly taken aback by my own prejudices --
about material
about process
about the world.
Picture
I'm also astonished by how the simplest things
can thrill me to tears. 
Picture
So far, all I know
is that the deeper I go
 the more  I am compelled by
​ light
energy
connection 
and delicate threads that insist on taking their own shape.
Picture

do what you can

11/8/2016

 
Picture
Egg Tempera, India Ink and True Gesso on Hand Woven Linen (work in progress)
Some of the long narrow pieces of cloth I've been weaving
​want paint on them.
Picture
Watercolor, India Ink and watercolor ground on hand woven linen
Not sure why as the cloth is interesting all by itself.
Picture
Watercolor and Watercolor Ground on Hand Woven Linen (detail of work in progress)
But sometimes  a gal's got to do 
what a gal's got to do.
​Right?
Picture
Full of Hope; 3" x 2 1/4" Watercolor, Ink, and watercolor ground on hand woven Linsey- Woolsy (detail, work in progress)

studio textures

11/1/2016

 
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    ​Sarah C Swett 
    tells stories
    with
    ​ and about

     hand spun yarn. 


    Picture
    Click for info on
    my four selvedge
    warping class
    with
    ​ Rebecca Mezoff  
    fringeless


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