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Mechanical Mending

3/30/2021

 
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And since hand/arm rest
IS the order of the day
I'm not even going to edit
or re-type  all the above nonsense 
but rather,
and against the better judgement
of my inner Storymaker
(who prefers things to be tidy--
or at least not to end so abruptly),
I'll hit Post
because really,
why not?
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the typewriter cure

3/23/2021

 
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Rough Copy (in progress); wool, natural dye ©Sarah C Swett
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Rough Copy 2: The Sketchbook; hand woven tapestry; 70" x 36"; wool, natural dyes ©Sarah C. Swett 2009
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idea interrupted...

3/10/2021

 
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hand woven tapestries: four letters, four selvedges, tails tucked, wool warp, wool words, used coffee filter ground yarn, natural dyes; each approx 3" x 5"; ©Sarah C Swett 2021
One of the lovely things
about being a creature of habit--
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--is that I get to follow ideas
from their first glimmer--
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--on into half formed experiments--
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moth; four selvage hand woven tapestry; wool warp and words, used coffee filter ground weft; weld and cochineal; 3" x 5" 2021
--and if I'm lucky,
further still--
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hand woven tapestries: four letters, four selvedges, tails tucked, wool warp, wool words, used coffee filter ground yarn, natural dyes; each approx 3" x 5"; ©Sarah C Swett 2021
--until eventually they flit away
of their own accord.
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hand woven tapestries: four letters, four selvedges, tails tucked, wool warp, wool words, flax, milkweed, dead leaves and used coffee filter ground yarn; natural dyes; each approx 3" x 5"; ©Sarah C Swett 2021
A drawback to this persistence,
is that I am a teensy bit inclined
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37 hand woven tapestries: four letters, four selvedges, tails tucked, wool warp, wool words, flax, milkweed, dead leaves and used coffee filter ground yarn; natural dyes; each approx 3" x 5"; ©Sarah C Swett 2021
to overdo.
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 Which means that on this occasion,
it is I who need to flit away--
or at least pause this beloved series
( all 37 of which are now on the 2020 and 2021 archive pages)
while I attempt to rest.
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Or rather,
(since I'm terrible at resting),
while I do the myriad stretches and exercises
prescribed for the future existence
of  my yarnish ideas.

Luckily, so far
there have been many wonderful things
to read--

like the gorgeous essay by 
my brother Benjamin C Swett
What I Wanted to Tell You About the Wind
in the Spring 2021 Orion Magazine:
(also myriad others in this unputdownable issue)
and
Carson Demers' book, Knitting Comfortably
(delightful, eye-opening, and occasionally mortifying
when I see how casually I've treated my poor old body)

as well as watch:

like Rebecca Mezoff's beautiful (and informative)
tribute to the work and life of inspirational tapestry weaver  James Kohler
on the tenth anniversary of his death
and
the webinars organized by Fibershed
(I just watched this one that Redbird did on Dog Bane
that hopefully will be available soon as a recording),

and oh, so much else.
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fool; four selvage hand woven tapestry; wool warp and words, used coffee filter ground weft; indigo, weld and cochineal; 3" x 5" 2021
Along with reading and learning
I shall also practice hand rest and rehab
which so far means
learning to use a mouse with my left hand
and doing a little studio spring clean
in order to clear both my head
and some space
for whatever parenthetical idea(s)
eventually take pity on me
(naturally using only large muscle groups
which are, truth to tell,
in far better shape than my small ones).
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And perhaps you,
if you are so inclined
(and are not so foolish
as to have taken your hands and shoulders
as for granted as I),
will feel free to weave
a few of your own precious words--
those that you've shared in the comments in the last two weeks
or which are quietly rattling around your brain.
Because how not?
So many wonderful ones await.

And though this comes under the heading
of shameless self-promotion and blog support,
if you are interested in the word thing,
or at least attracted to crisp stacks of tapestries,
with no ends dangling in any direction
(ideal for tapestry Post Cards)
I cannot not recommend
the Fringeless Four Selvedge warping class
I did with Rebecca Mezoff,
and
my little zine Tucking the Tails .

Or if you're truly ambitious
 don't have a loom
and don't want to make one
there is always that other
goofy and miraculous four selvedge technique
Weaving a Bag On a Box.
Imagine a list, or  poem
going around around and around a bag
that can be carried around and around
wherever you go....


But enough of that.
I already have more bags than I can use in a life time.
My oh-so-ergonomic broom awaits.
And it's time for some more stretching.

Never a dull moment--
though wouldn't one or two be grand?
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thinking ahead, back then

3/9/2021

 
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So you know what's cool?
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Well, lots of things are cool:
spinning
and weaving
and looms
and friends
and solitude
and vaccinations
and sunshine
and rain
and baby plants
and one syllable four letter nouns...
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Today, though
the thing that delights me
more than I can say,
is noticing--
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that I no longer notice--
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that I wear a hand spun/knit wool shirt
every single day
summer and winter.
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Well-- truth to tell--
in the summer I occasionally wear
those handwoven linen
and  linsey-woolsey shirts.
But still--
(and somewhat to my amazement),
I've made more than enough
next-to-the-skin-soft
wool shirts
 to see me through.
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And though I wasn't thinking at the time
about  why it was possible,
one of my great daily pleases
these last months
has been dressing up for my loom every day.
And I think the loom appreciated my effort.

But I had  forgotten--
until tidying up a stack of
"magazines with articles I wrote"--
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that once upon a time
having enough such garments
was a deliberate plan--
my mid-life self
committing
to the sartorial comfort, pleasure
and general well-being
of me,
now,
at 60.
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So golly thanks, former Sarah
for the serendipitous Magic Medium--
for the blissfully approachable Somewhat Slanted
(of which I now have five)--
for The Cloisters (pictured above)--
for Kestrals Alight back in 1996--
for all the unnamed others
(many of which I've given away)--
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Notes to Self; hand woven tapestry; 25" x24"; wool/ natural dyes ©Sarah C. Swett 2015
--for all the glorious fleeces
(and the sheep that grew them)--
and for uncountable days and weeks and years
of pleasure--
past, present and future.
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And yes, also for my Sarah-Dippity Skirts
which though they are not shirts
and were completely unplanned,
I nonetheless wear so often
that I'm now having to patch them.
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So you know what's cool?
That the midst of one of the weirdest
and most unsettled
and oddly fascinating times of my life so far--
that even as I am taking a break from knitting
to rest and reset--
it is yarn, once again,
that is seeing me through.

Wintry ways...

3/2/2021

 
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Listening to the snow melt...
Wow-
it's March!

How are you doing?
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Me--I am well,
(how happifying is that?)
And the snow is melting!
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It's amazing to be back here--
 familiar and strange
at the same time.
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I mean
after three months
there is so much to say,
and also, nothing at all.
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For while listening
to other people express essential ideas
with perfection and beauty--
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Bone; Hand Woven Tapestry; 3" x 4.75"; warp--wool; weft--hand twisted milkweed, used coffee filters (paper yarn); indigo; 2020
--I've been spending my days
with one word at a time.
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Four Selvedge Tapestry--so much easier to unwind the supplementary warp when you can spread it all the way across the room!
I mean--
quag.
Isn't it lovely?
What a thing
to get to balance
(or try at any rate)
on its delicious
q-centric
syllable.
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And really,
does a person really need
entire sentences?
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Even my inner Storymaker
has been mostly OK with it.

She is all about words to be sure,
usually ready to cram in
as many as she can
(Verbs!!! Adjectives!!!!!
Parenthetical Asides!!!!),
but it turns out
that reading dictionaries
studying etymology,
and debating the merits
of this word
or that
is wildly entertaining.
(OMG--a double ff-- YES!)

Almost as satisfying
as having chopped
the ice dams
off the roof.
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Now it could be
that writing this essay
back in December
for my friend Debbie Lee's
monthly blog: Witness Wilderness,
was all the Storymaker needed.
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thaw; handwoven tapestry; hand spun paper (used coffee filters), wool; natural dyes (weld and Osage); 3”x 5” 2021
Or maybe she has just been biding her time,
waiting for the thaw
while the Luminist blissed out
on quiet(ish) winter days.
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Either way,
we're decidedly out of shape
for this blogging biz
and it might take a while
 to fully emerge
from our wintry ways.
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Though I suppose that is
what spring is all about, eh?
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seed; handwoven tapestry; hand spun paper (used coffee filters), wool; natural dyes (madder); 2.75”x 5” 2021
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    ​Sarah C Swett 
    tells stories
    with
    ​ and about

     hand spun yarn. 


    Picture
    Click for info on
    my four selvedge
    warping class
    with
    ​ Rebecca Mezoff  
    fringeless


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