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A Body of Work

6/13/2017

 
Picture
Stripes III (detail); needlepoint comics; wool; cotton; natural dye; 60" x 40"
What is it?  
A collection, yes, but a collection of what -- similar objects?
Similar ideas?
How do you know when you have one?
Picture
Stripes 1 (detail); needlepoint comics; wool; cotton; natural dye; 60" x 40"
Can  long narrow strips of metaphorical fabric 
in a three panel needlepoint comic about chasing dreams
that I stitched several years ago and blogged about here 
--a comic that at the time seemed complete unto itself--
morph into other work that is seemingly different
but actually, oddly, the same in spirit?
Picture
Tapestries in progress; galvanized pipe loom
Well yes,  I think it can.
Picture
Tapestry in progress; backstrap loom
Not that I  was thinking about connections as the work unfolded.
​I'm rarely that organized.
Picture
Needlepoint; handwoven canvas; backstrap loom; wool/ linen
But  looking backwards,
Picture
hand woven cloth; backstrap loom; linen
and drawing another comic 
Picture
Comic; Work in progress; backstrap looms
leads me to see that work that felt ​ new and wildly unconnected while I was making it
Picture
Plain Weave panels; hand spun wool; backstrap loom
is actually just another step on an undulating path.
Picture
Bojagi Blanket; hand spun wool; natural dye; backstrap loom
So when the deadline looms (pardon the pun),
ready or not (and I'm not, quite),
it feels perfectly reasonable to fit things together,
 ​make an inventory list,
label the tapestries,
roll up the panels of comics,
press the translucent panels of cloth,
bundle it all up,
​ take off  my boots,
and cross the river.
PictureStripes III (detail); needlepoint comics; wool; cotton; natural dye; 60" x 40"

Then eventually, when all is unrolled
and hanging on white walls,
or sweeping through the air
in a light-filled gallery,
we can call it a body of work,
or not -- can't know for sure till it is up.

But either way
it'll be time to lace my boots
and continue on,
where ever it is that I am going.
Picture
Blanket of Light (detail); linen; backstrap loom; 36" x 135"
​Or maybe next time I'll just go barefoot.
Picture
Pam Hutley
6/13/2017 11:17:22 am

And such an important and fabulous body of work Sarah! Congratulations, and very best wishes for your upcoming exhibition.
And thankyou for the inspiration and joy your work conveys!

Deb
6/13/2017 12:30:54 pm

Oh YES!!! I love it when the unknown path is suddenly realized as a beautiful variation and evolution of your solid and pure dance. ❤️❤️❤️

Nancy B
6/14/2017 02:37:07 am

Art of any sort takes on a life of its own, separate from its maker, if it's decent at all. As yours obviously is. Ask any competent novelist about who is in charge, and they will usually tell you it's that pesky character they "introduced" to tie up a loose end. Who has been introduced to whom, I wonder?

So you'd better get those boots laced.

online assignment writing link
6/26/2017 01:57:44 pm

This is an ancient art of making these beautiful and mesmerising work. It lets you create some unique pieces by using your creative talents. These loomed patterns exhibit wonderful characterisation.


Comments are closed.
    Picture

    ​Sarah C Swett 
    tells stories
    with
    ​ and about

     hand spun yarn. 


    Picture
    Click for info on
    my four selvedge
    warping class
    with
    ​ Rebecca Mezoff  
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