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Backstrap Lessons

7/27/2016

 
Picture
Backstrap July has been filled with high hopes.
I've even made a couple of things I quite like. 
 Certainly every warp has taught me something new
--even if I'm not always thrilled about it.

This one, for instance, was supposed to be an experiment in word direction.
Upside down, right side up, sideways--which would I like best?
Could I compose at an angle?

To make it easy on myself I used familiar wool warp and weft.
To make room for horizontal words I made it seven inches wide.
To ensure I could really get into it and write something fabulous, I made it long. 
Picture
Initially,  all went as planned,
The warp was more forgiving than the linen I'd just been using
and I started the first letters with satisfaction -----

only to find that I just couldn't get the the tension tight enough for finger picking.

I moved the backstrap down and and I moved it up. 
I added string heddles
I changed the angle of the loom.
I leaned and I sat and I pushed --
​but the strong, highly twisted springy wool just kept stretching.

The letters wouldn't grow under my fingers as I have grown to expect.
The brilliant thing I was going to write vanished from my head.
Picture
 Finally it occurred to me to attach the loom to a door on the other side of the futon frame, brace my feet against the side of said frame, and push.

It worked -- quite well in fact.
Until my legs started to go to sleep.
and my feet to hurt.

Turns out I don't really like weaving letters upside down either.
Picture
Eventually I rolled it up, set it aside, made a different warp (linen)
and comforted myself with a long narrow band and sideways woolen words.

 This time I had both easy tension and a satisfying way to compose.
Granted, the warp didn't feel as good on my hands, 
but I decided to try line linen next time (instead of tow) 
and who cares about finger comfort when the words show up of their own accord?

But when I finished, the wool warp was still sitting there.
I didn't want to unroll it.
 Should I ditch it? 
Call it a failed experiment?
Make it an endurance test?
Or, duh, build a pipe loom and strap it on.
Picture
Much better.  
​The tension is excellent and the process comfortably familiar.
Picture
Short string heddles make pretty good leashes.
Picture
Picture
And now that I've ditched the phrase idea and am simply working my way through a section of the dictionary, there's only word direction to worry about.
Picture
And look --I'm done with the words worry and worse
so there is only the next backstrap lesson to wonder about. 
​ 


Lynn
7/27/2016 04:31:33 pm

Why words? What does it mean to you when you've spent 20 minutes or so weaving the word "worse," compared to scribbling it out or typing it into a computer or shouting it from a clifftop or using your toe to scratch it in damp sand just at the edge of a rising tide?

Sarah
7/28/2016 10:10:25 am

Golly Lynn -- I sure wish I had the true answers to those fabulous questions, why some words, any words, demand that I weave them just now rather than images, or plain cloth? The process is certainly a kind of discipline, a way to slow down and focus on each letter, rather than pour them out as my fingers do at a keyboard, or my mouth in good company. I did debate weaving the word worse, but it was insistent, and in the end it was good to spend time with it, to weave it carefully and then move on. Thank you so much for getting me to think more on this!

Nancy
7/28/2016 06:22:31 am

Learning. Always learning. And sometimes familiar ways are the best solution. But never a failure.

Sarah
7/28/2016 10:14:09 am

That is so true, Nancy. Like coming home after a trip to an exotic (or exotic sounding), place, the familiar is deeply satisfying. Many thanks for the reminder.


Comments are closed.
    Picture

    ​Sarah C Swett 
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    ​ and about

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