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Devotion

2/14/2017

 
Picture
One of the myriad lovely things about spinning miles of white wool
and weaving it into yards of white cloth
is the thinking time.

Today, being Valentine's Day, I'm supposed to be thinking about Love.
Picture
But instead,
as I open each shed,
slide the stick shuttle across the warp
grasp it with waiting fingers,
adjust the position and angle of the yarn with the flick of a wrist
and press that strand into place before opening the shed again,
I dwell on devotion.
Picture
Devotion feels kind of like love, but more, well, nuanced.
It includes commitment 
and a bit of obsession.
There is passion, to be sure, and inspiration--
at least now and again, but not too often and not too much.
I think it also includes dedication, but without the need for ceremony.
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No externally imposed ceremony, I mean.
Devotion is all about the simple daily ceremonies of doing of whatever it is.
Indeed to me it feels active.
It involves a practice: 
stuff to do, a thing or an idea with which to engage 
even when inspiration has gone in search of something more stimulating or popular
and passion is taking a nap. 
Picture
There a simple kind of pleasure in devotion,
pleasure that has nothing to do with measurable results or goals 
and can be as seemingly simple as transcending boredom,
which is sometimes no more than a willingness to keep going despite the prickles of tedium, until the tiniest shift in the light
or the brush of hand against cloth
feels like the center of everything. 
Picture
Janine link
2/14/2017 07:41:07 pm

Ahhhhh. Love.

patti kirch
2/14/2017 08:07:26 pm

That must be it! An internal instinct, like a bee knows where to find honey.......not even close to boredom.... your words and works are so natural....... thank you Sarah!

janet kovach
2/16/2017 05:57:23 am

2.16.2017 hmmmmm....I'm wondering about your description of weaving using the words "and press that strand into place"......do you do this motion slowly and lovingly as opposed to most instructional weaving videos which urge quick slamming or banging the trail of the shuttle left in the weft into place?????...just trying to visualize your process.....your photos above remind me of the peace and tranquility of clean hospital sheets....I was a nurse and always loved working on infectious dermatology floors because every patient's bed was changed daily with all clean, white sheets.....I think white is a color and your white yarns and fabric and spindles are "clean looking"....how do you view them?....from Janet way over East

Sarah
2/16/2017 12:02:06 pm

Hello Janet -- yes, I would say I do press each strand into place "slowly and lovingly." This may be in part because I'm using a backstrap loom and don't see any need to slam the thing against myself. It may also be in part because my rigid heddle is cobbled together from little sections and has neither the weight nor the structural stiffness for slamming or banging, and a careful press ensures that each strand lies nicely next to the one before. Or it may, in truth, be because I love this delicate white yarn and really enjoy watching each strand take its place beside the one before -- another manifestation of the devotion I couldn't articulate until i wrote this post. I took this little video of it and posted it on Instagram and I think you can get to it if you follow the link: https://www.instagram.com/p/BQdeBjlFCeX/?taken-by=sarahcswett

As for the white -- though I sometimes imagine dyeing some of these, and may eventually, I find making the white cloth unexpectedly moving. It is, perhaps, as close as I can get to the essence of what the fiber itself can become while retaining the things I love so much about what it already is. If that makes any sense!

Ann
2/16/2017 06:16:31 am

Why the clips across the top of the reed? I'm thinking about getting one--I have a floor loom but that's a lot of waste for handspun samples. I thought about getting a rigid heddle loom, but now I see all I need is the heddle itself

Sarah
2/16/2017 11:52:42 am

Hello Ann,

The rigid heddle in the image is actually made of four 2 1/2" sections of 'variable dent" rigid heddle held together with rubber bands, binder clips and half of a tongue depressor (for rigidity between the sections). Though I didn't plan this to begin with, it became a way to have a reed just the width of the piece I am weaving -- no need a 10 Inch reed for a four inch warp, esp on a backstrap loom. The tops of the binder clips are a little annoying, but the whole thing works really well and would be great for samples as, if you could do sett sampling with adjacent sections with different setts! I have four sections of 12 dent four sections of 10. Haven't tried anything wider than four section at a time as yet (no big enough rubber bands...)


Comments are closed.
    Picture

    ​Sarah C Swett 
    tells stories
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    ​ and about

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