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Narrative Mending

5/12/2015

 
Some time the 1960s, my mother bought a pair of quilts in Pennsylvania.  
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With hand stitched appliqué strawberries and hand quilted swirls, they kept the family warm in New York, Vermont and New Hampshire.
Time and use did their thing 
Someone with a zig zag machine tried to slow down the disintegration of the polka dot fabric, but it probably seemed hopeless.
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 A year or two ago, my dear sister pulled one from a drawer - saved from the trash. "I thought you might be able to do something with this," she said.  "Well, maybe," I replied, thinking of the other things awaiting my attention: tapestries, sweaters, drawings, fleece
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 But when I got home to Idaho, I gathered materials: usable bits from my husband's worn out cotton shirts, a piece of mylar (for a stencil) and a hole punch.
 The rice paste resist is made according to  John Marshall's katazome instructions.
  I had an indigo vat going anyway.
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  Eventually, I had fabric that matched -- kinda sorta, in its own way. 
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First, I covered the worst spots
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so  I could wash out the dust of decades
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and render it usable once more.

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Now I add patches as I can,
 strengthening the bits that are fragile
 but not yet worn through. 
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It is a satisfying, ongoing task.  
And the colors make me happy. 

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    Picture

    ​Sarah C Swett 
    tells stories
    with
    ​ and about

     hand spun yarn. 


    Picture
    Click for info on
    my four selvedge
    warping class
    with
    ​ Rebecca Mezoff  
    fringeless


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