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Stitching things together

1/31/2017

 
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For the last few months (as many of you know), 
 I've been spinning wool
and weaving long narrow pieces of cloth.
Picture
These vaguely scarf-like strips range in length from 40 - 110 inches,
​in width, from 2 to 9 1/2 inches.

This body of work began with what I thought would be a fleeting desire to learn about weaving tapestry on a backstrap loom. Turned it it was the tapestry part that was fleeting, the loom part that stuck, and the practice evolving into making translucent cloth with fine hand spun singles,
settling into hours and hours and weeks and weeks of over under over under with nary an image or word to be found.
What was this about? Search me.
Once washed, each strip has been nestled among the others piling up in my cedar chest,

​Out of sight out of mind.  Mostly.
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Brown and White --each makes the other look more lovely.
Then this morning I started sewing them together.
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Sewn together, each is stronger
​This may not like a seem a particularly momentous thing. 
But when I say I had no particular goal in mind,
what I really mean is that I have had about a thousand different ideas about what to do with this fabric --and as long as I was just making and collecting, all were still possible.
Picture
Many of these ideas are still possible of course
since I still don't really know how I am going to hang/ display/ share this body of work, 
but as I am scheduled to have a show at the Latimer Quilt and Textile Center in Tillamook, OR  in July/August 2017, displayed they will be.
Picture
Today is not the day to go into all the possibilities that may or may not lie ahead.
Talking about, much less writing down ideas before they exist in the physical world
is a sure way to flatten them before their time.
​And so much is still unclear.
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But today I dressed up in grey silk trousers, a black shirt, vest and even a necklace (I'm not generally much of a jewelry person),
​and took the next step. 
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It is time.

PS -- And speaking of Exhibitions,  I am proud that a collection of my tapestries  (mostly the Rough Copy series)-- will be displayed in LaConner WA at what is now called The Pacific Northwest Quilt and Fiber Art Musum (Formerly LaConner Quilt and Textile Museum), from May - July 2017

It is very exciting to have work in two such wonderful Northwest textile centers,
if a teensy bit scary as they overlap by a month (July 2017), which means there needs to be entirely different work at each place.  
​YOWZA. Back to it.
xoxox to all.
Janine link
1/31/2017 02:34:09 pm

My grandparents owned the house that now houses the NW Quilt Museum in La Conner! My mother had the turret bedroom, and her folks split up the house into apartments--this was during WWII, when housing was at a premium. I have a soft spot for La Conner, where my Swedish great-grandparents settled when they came to America, and my mom grew up there.

Sarah
2/3/2017 12:10:57 pm

That is the most amazing thing to know Janine, and gives me a whole new appreciation of that marvelous place! My show will be upstairs on what I think is the third floor, so might actually include your mother's turret bedroom. Oh golly. I love love the threads of connection, and this one in particular.

Summet
2/1/2017 02:30:00 pm

Congrats on taking that next step. Venturing out into the unknown can be scary, unsettling and yet exhilarating. I really appreciate you not saying too much too son, letting process and ideas have time to simmer or marinate. I often speak too quickly and then lose all enthusiasm and the project seems to almost dissipate. Lovely post. Would love to make it to LaConnor this summer but don't know that it is likely.

Sarah
2/3/2017 12:12:48 pm

Thank you Summer, for your encouraging words. Lots of marination going on here -- and whacky exploration (to mix my metaphors). All of it involves an untoward amount of trust and letting go. Who knew?

Rebecca Mezoff link
2/4/2017 07:57:39 pm

Oh so exciting. And my first question is, HOW do you have that much handspun. :-) Never mind. I'm quite sure I know the answer. Impressive. And beautiful. And the possibilities are so wonderful.

Sarah
2/6/2017 05:26:33 pm

You do indeed know the answer Rebecca! And worth every minute. Such a different way to think about light and texture--not to mention composition. For something so outwardly plain (not to mention dependent on endless hours of repetition), it is bloody challenging! I had no idea.


Comments are closed.
    Picture

    ​Sarah C Swett 
    tells stories
    with
    ​ and about

     hand spun yarn. 


    Picture
    Click for info on
    my four selvedge
    warping class
    with
    ​ Rebecca Mezoff  
    fringeless


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