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weaving before breakfast

7/5/2016

 
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Linen/ Silk purchased from Habu Textiles more years ago than I can remember
Last night I wound a warp.
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Capturing the Cross
This morning I added weft. 
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I normally finger pick my sheds
so string heddles feel unexpectedly welcoming.
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This yarn it was flat when I bought it,
the linen a paper tape and ​the silk an almost invisible strand at its side -- scarcely twisted.
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Ball winding, however,  and failed attempts to knit with it (which resulted in more ball winding), added twist which made it difficult to decide on a sett.
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Measuring the warp twisted it even more
and for the first few inches I couldn't get comfortable.
​

As I wove however, the warp untwisted, relaxed, flattened,
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and by the end
​the warp/ weft relationship made more sense,
​at least to me. 
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Weaver Sarah deplores my casual beat and uneven selvedges.

Artist Sarah finds it beautiful. 
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Wonder what it'll do when I wash it?
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Lynn
7/5/2016 03:23:44 pm

And why do weavers like perfectly tidy selvedges and weft, and artists don't, necessarily? Where is that line between the two?

Sarah
7/6/2016 06:41:44 am

It's all semantics, Lynn, and I love that you brought this up. Even as I wrote, it felt a little off to imply that either artist or weaver would hold such narrow views. Better, perhaps, to have found a concise way to say that I alternate between pure enjoyment and internal queries about what I have done, what I am learning, what different things I might try next time, and how that could shift how I feel.

Lynn
7/6/2016 03:54:52 pm

I'm not an artist and barely a weaver, but whenever I open up my mind to see the constraints I put on myself - OH! So many possibilities! So many things to try!

Pamela
7/6/2016 07:41:30 am

Sarah, I found this post inspiring because you seem to be in such an open state of mind--experimenting with the materials, being curious at each stage of the process, with no agenda for where, what or why. Thanks you.

Sarah
7/12/2016 10:53:06 am

Thanks for saying this Pamela! It is a joyful miracle to be in that curious, open state of mind, though I'm regularly astonished at how quickly my brain fastens an objective to a feeling. Also interesting to notice this, then practice reminding it (the busy, narrative brain), that it's ok to back off...

Leonie Andrews link
7/7/2016 04:23:54 pm

I love the difference between the two ends. Transitions between both ends of the spectrum which I find do have their own attractions. The other parallel I see is when you first learn to handspin. There are all those wonderful wild an knobly textures that disappear as skill develops. It's almost impossible to recreste that first yarn once you have learned to spin 'properly '.

Sarah
7/12/2016 10:54:15 am

Isnt' that the truth Leonie? There is something incredibly refreshing about that beginner's place.

Janie
7/21/2016 10:56:59 am

I have seen this yarn in the LYS. I know of one girl that knit a tabard with it very loosely. Interested in knowing what it does do after you wash it?!


Comments are closed.
    Picture

    ​Sarah C Swett 
    tells stories
    with
    ​ and about

     hand spun yarn. 


    Picture
    Click for info on
    my four selvedge
    warping class
    with
    ​ Rebecca Mezoff  
    fringeless


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