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wool/linen/wool/linen/wool

3/28/2017

 
Picture
Spindle spun grey Cormo, two ply, approximately 4000 yards per pound; sett: 12 epi.
As regular readers of this blog know,
I've been weaving nothing but balance plain weave on a backstrap loom for the past  10ish months, switching back and forth between linen and wool.

If asked at the beginning I'd never have guessed that all this non-pictorial simplicity would hold my exclusive attention for so long, 
but a couple of weeks with linen,
then back to wool for a time--
--​then off to linen again
has continued to delight.

Picture
8/1 Commercial Linen singles; approx. 3000 yards per pound; sett: 15 epi.
There is so much to love about each
and my miles of plain weave are made ever interesting
by these periodic changes.
Picture
The forgiving nature of wool never ceases to satisfy
as does wool's penchant for grabbing onto itself and thus staying where I place it,
​ even in very open structures.
Picture
​Linen is less forgiving and is not so inclined to stay put,
but once woven the fabric stays open and deliciously translucent
while bouncy wool will happily relax into any space provided.
Picture
Wool bounces and stretches and drapes and glows.
Linen holds its shape and undulates and whispers and glows.

Both are satisfying to stitch.
Picture
wool/ linen/wool; all singles. Wool (indigo dyed), woven at 12 epi. Linen (natural) at 15 epi.
A few weeks ago I wrote, among other things,
about  the difference in my feelings toward the linen and the wool fabrics,
indicating a stronger connection to the wool--
a connection I thought unlikely to change and which I attributed to me having spun the yarn. But now, though the attribution remains the same,
the difference does not.

For a few days ago, just as I was finishing up a longish linen warp,
​I discovered some forgotten samples from a linen spinning workshop I took in 1992.
There wasn't much -- a few plied yards, each wet spun
from bleached sliver, tow, and what is now a rather messy bundle of long strick flax.
But Golly, they felt good to work with, inconsistencies and all.

I'm sure its all in my head, this difference in my feelings,
but so what? 
Picture
warp: Commercial singles Linen 8/1; weft: Hand spun 2 ply linen of no consistent grist...
 I doubt I'll become a passionate flax spinner,
(famous last words),
but one of these fine days I'm going mess about that messy bundle
​and see what happens. 
Picture
In between, of course, the yards of wool.

And if any of you have any linen spinning advice (esp. on a spindle),
I'd love to hear it!

Just in case, you understand... nothing serious.
Donny
3/28/2017 05:47:54 pm

Use a distaff, fairly easy to cobble together, if spinning long line flax. Traditionally it is spun S as that is the direction it naturally twists. Good luck, totally doable.

Sarah
4/4/2017 08:07:47 am

Thank you Donny! My first instinct is always to spin Z, so this is a most useful tidbit.

Tracy Hudson link
3/28/2017 07:12:39 pm

Spinning flax on a spindle is so fun! You're going to love it. I don't have any advice, since I'm just starting, but I aim to weave with it, using a backstrap loom, so I wanted to cheer you on.

Sarah
4/4/2017 08:10:36 am

It does sound intensely satisfying and it'll be great to see how our work unfolds. Are you planning mostly warp faced work on your backstrap, Tracy? Also, thank you for hte Video link. Though I have books that describe the preparation process, I'd never actually seen it done. Wondrous stuff.

Tracy Hudson link
4/4/2017 11:22:25 am

I haven't decided on how it will be woven (still have plenty of time, given the rate I'm spinning!) If I can manage a reed, I'd like to do balanced plainweave. I'm enrolled in Bryan Whitehead's reed-making workshop at ANWG, so there is hope!

Devin link
3/29/2017 08:24:27 am

Gorgeous photos! I love spinning flax, my advice is to use a distaff for line flax but even wrapping in a towel works as a distaff. Hands far apart when drafting, use a 'milking' sort of gesture, I wet the fingers closest to the twist and use that to smooth in the fibers and use the hand closest to the fiber to begin the draft, pulling down from the distaff. I personally use saliva instead of a sponge or cup of water. It gets a little finicky on spindles when winding a cop as it is wiry, so attention to cop formation and making sure you are winding tightly helps.

Sarah
4/4/2017 08:12:43 am

Fabulous advice Devin. I really appreciate it. The 'milking' gesture makes great sense, and I really like the idea of saliva rather than a bowl of water if only that it is so readily available and less likely to spill. And though I hadn't thought about cop formation, I can imagine it being awkward and taking a little practice. Perhaps a turkish spindle would help keep it under control?

Ruth Manning link
3/29/2017 04:54:40 pm

One of the reasons I love to check up on your blog is I feel I'm spending time with you, just talking and having tea, sharing our passion...even though I'm not in Idaho. Thanks Sarah.

Sarah Swett
4/4/2017 08:14:36 am

Gosh Ruth, thank you for saying that. It is just how I feel when I'm writing, actually - as though we are chatting and having tea and sharing ideas. Sometimes, after I push "POST" I think, "what a social morning I've had!" It thrills me to know that it works both ways.

Tracy Hudson link
3/31/2017 09:14:35 am

P.S. Inspiration: https://www.youtube.com/watch?time_continue=187&v=exvm-VldgtM

Lynn in Boise
4/4/2017 12:57:31 pm

In the Balkans (flax growing region) they use a double whorl spindle to prevent the spun yarn from sliding off the bottom. The yarn is wound between the two whorls.

In the Grimm fairy tale "The three spinning faries" the fair maiden convinces her new husband that she shouldn't spend her days spinning by introducing him to her three aunts: one has a giant lip from licking her fingers to smooth down the flax; one has giant feet from treadling, and the other has a giant thumb.

I tried the saliva technique but didn't like it (it was either because I was constantly spitting or perhaps getting fiber in my teeth) and found that dipping my fingers in a bowl worked better for me.

Margaret
4/4/2017 02:46:36 pm

I would love to follow your blog directly but I don't see a place to sign up. What am I missing??

thanks!

Oh, love this post. I spin cotton & flax but not with a spindle. Well, the cotton I spin with all kinds of things but the flax only wheel and distaff so far. Lovely things to work with - I've made a sample of linsey-woolsey and want to do more one of these days.
m


Comments are closed.
    Picture

    ​Sarah C Swett 
    tells stories
    with
    ​ and about

     hand spun yarn. 


    Picture
    Click for info on
    my four selvedge
    warping class
    with
    ​ Rebecca Mezoff  
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